The setup is that Addison has been living under the streets
of New York for years because whenever someone sees him, especially when they
look into his eyes, they feel a loathing so intense that the situation becomes
life threatening. Then he meets a woman named Gwyneth who decorates herself
like a harlequin stylized marionette and can’t stand to be touched. Since they
are both so eccentric they get along swimmingly but be warned, any conversations
they have are halted and stilted and just plain boring.
One of the issues I had a problem with was the pacing of the
story. The writing was so verbose that it took forever for the story to
progress, especially since every other little “chapter” was a flashback. And
then all the pieces, the supernatural elements that were thrown together. There
are smoky or ghostly figures, bad ones Addison calls Fogs and good ones he
calls Clears whose main purpose seemed to be to inform him when someone was
really corrupt or something major was going to happen. The story of the
psychopath murderer who was obsessed with marionettes and the marionettes end
up chasing Addison and Gwyneth down.
And now for the spoilers!
Approximately fifty pages to the end the reader discovers
that, with absolutely no warning, that there’s suddenly a virus on the loose
that’s going to kill pretty much everyone on the planet. But low and behold the
thing that sets Addison and Gwyneth and a few other kids they’ve found along
the way, is that they have no Original Sin. That’s why people always want to
kill them because when someone looked at them they saw all their sins reflected
back upon them and they didn’t like it. But wait! This anomaly also means that
Addison, Gwyneth and the kids are pretty much immune to any disease. Oh
goodness. It was like reading several different stories, that had nothing to do
with each other, all wrapped up in one and then Koontz decides to throw in a
distinction level event but oh yeah the main characters get to survive it all.
Groan.
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